but why?

three and a half years ago, i traveled to houston, texas, (about 350 miles from new orleans) to see a band called why? and immediately turn around and come home. well, i guess islands played too, and we did get to speak briefly with yoni wolf, who, it turned out, had also driven from louisiana that morning. we nearly drowned in the same storm. our vehicles had temporarily shared a road, which practically meant we were twin souls. i swooned when they played an old hymie's basement song, when yoni beat his tambourine and simultaneously played the keyboard, when he glanced at me as i shouted the call (or response) on "gemini." then i sorta lost my mind on the drive home, thanks to a slowed and sped up mind. i think i talked nonstop for the entire five and a half hour drive and did a little bit of incoherent writing...
but i digress.
last night, why? played in asheville to support their new album, eskimo snow. the venue is only 11 miles from my nook in the mountains, but i was not in the audience at the show. not because i was in astronomy class (it was canceled) or because i had too much homework. instead, i had ended up at an event called stereohype, which was an open-mic about stereotypes, particularly in response to dance the night a'gay and some people's hyper-sexualization and parody of queer culture. the event was kinda neat, but not really spectacular.. if the organizers had advertised before the day of, perhaps more people could have had time to write something presentable. some people's poems and stories were really beautiful and thought-provoking. and then i stumbled around the main campus and the sunderland lawn with renee, becca, and elliot. we swigged some wild irish rose, split a couple southpaws, bummed a few rollies. we loudly sang "sadie" and "chelsea hotel #2" and talked about the band we're gonna start, any day now.. i wandered back to my room around 1:15 and read a few chapters in the novel i'm reading, which just took a major turning point, and i think the rest might be quite funny and continue to be quite beautiful.
but i digress.... so what happened, anyway?
why? has, like many bands i once loved, ceased to produce meaningful work. this can happen for any number of reasons. perhaps the musician loses inspiration or the process becomes work instead of release; maybe they defeat their alcoholism, or find religion, or get signed. or -- wonder of wonders -- maybe they start to produce music that i just don't like.
i find the latest two why? albums almost completely unlistenable. so, perhaps i haven't given them a fair chance. but i was so disgustingly bored and detached from the message because, perhaps, it sounded like the band was too. i hear a desperation to create a universal message, but the metaphors are failing and the rest is uninspired. although it's hard to hear a message at all between the ever more nasally voice yoni has taken on and the continual references to masturbation... perhaps it has something to do with my gender, but i can't help but pick up a hint of sexism in these songs. every woman is fetishized concept, not a person, and just because it's art doesn't mean that sort of reduction is acceptable. and how many times can you tell the same story the same way?
just look at this travesty; http://vimeo.com/6524204